Ohana ODV, in collaboration with stencil artist luvol and photographer Claudio Asile, and in
partnership with the associations UYUM – Sosyal Uyum ve Girisimcilik Dernegi and WIR – Verein fur Wissenshaft, Integration und Religion e.V. presents “#sonsandaughters: all the children are our sons and daughters. Refugee children on the Balkan route”, a project that won an Erasmus + price from the European Community or the year 2023/2024, which made
it possible to cover a large part of its travel and implementation costs.
Resulting in a multimedia exhibition, #sonsandaughters is an itinerant humanitarian project, faithful to the experiences undergone by its protagonists on the sadly famous Balkan Route. The starting and arrival points of the project, which retraces “the game” – as it is defined by migrants – are, in fact, upstream and downstream of the route: in Şanlıurfa, Turkey and in Manheim, Germany.
The exhibition was conceived as a real journey, designed to delve into the Route, but above all into the lives and expectations of these children. The main aim is therefore not to retrace the Route, but rather to retrace the dreams and hopes of its young protagonists. Stencils, photographs and videos were chosen as the means to bring us closer to these faces that gradually become familiar and dear. No longer just numbers, no longer simply stereotypes, no longer anonymous stories of unknown and distant faces, but #sonsandaughters.
The theme, or better said, the lenses through which to read and interpret the exhibition, are childhood, which we want to give back a position of centrality and protagonism. The works on display are not, in fact, simple portraits created by the artists taking the participating children as models; on the contrary, the children themselves become subject-artists, a creative gaze. Many of the chosen photos are taken by them, and also become paper matrices and carvings for elaborated stencils.
#sonsandaughters therefore deals with the themes of the Balkan Route and especially ofchildhood on the Balkan Route, however the project and the consequent exhibition does not explore the dark and atrocious meanders of the latter themes, but rather focuses on the hopes, expectations and dreams of the young protagonists. Children and their personalities, their talents, are thus at the center of attention, just as the protection of these completely forgotten new generations should be the center of attention.
Our goal is to put these children and their protection back at the center of each of our society’s political, economic and social decision. Our society should consider all of them as its “children”, hence the name of the project and the exhibition: #sonsandaughters.
The exhibition is available to anyone who would like to host it to help spread the important message it carries. For information you can write to projects@ohanaodv.com